Primary materials: Foam (many types), glue (many types), staples, liquid latex, acrylic paint.
This is the second project I’ve made using the materials and construction methods I learned from Big Nazo. You can read a little more about who they are, how I got involved with them, and the first mask here.
Like that mask, this is made from many types of foam. I stapled together thin pieces to create the overall shape and then added thicker pieces for the larger elements. For instance, the three “eyes” are made from sections of foam pipe insulation and backer rod, which is another type of foam insulation.
Unlike the first mask, I did all the designing, construction, and painting of this on my own.
Painting this proved to be the most difficult and longest part of the process. For the first mask I spent almost all my time constructing the thing, and just a few sittings painting it. Here, it was the opposite division of labor.
I had not painted foam to look like metal before, I wasn’t sure which colors should go where, and because of the design there were a lot of individual elements that needed to be addressed with smaller brushes. Because this isn’t symmetrical and has a rough texture, I decided to give it a weathered, antique look.
Metallic paints tend to be the most expensive type of acrylic paint. Because I wasn’t sure how much paint I’d use on this, I decided to try the cheaper varieties so that if I changed my mind about the colors or had to use a lot of paint experimenting, I wouldn’t be out too much money. Also, I hadn’t used cheap metallic paints before, so I wanted to test them and see how they compared to the expensive stuff I already had.
What I found is that for the most part, cheap metallic paints are anemic, and it’s hard to get a satisfying look with them. They still provided some useful color, particularly the copper tones, but I supplemented them with more expensive paints later on. In the end I think it’s worth it to buy premium metallic paints.
I went with a mix of copper and bronze for the main colors, with silver for the plates on the side and back, and black for accents. Getting some of the metallic colors, particularly the silver, to stick to the foam took some experimenting, and deciding which colors should go where meant that I painted over certain sections about three times.
This mask demonstrated more than most that sometimes it isn’t the work itself that takes much time, it’s all the decision making and re-working involved.